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Le clip : Histoire et esthétique by Laurent Jullier, Julien Péquignot

By Laurent Jullier, Julien Péquignot

Aujourd’hui un clip peut être partagé sur fb ou sur YouTube, passer sur MTV au fond d’un bar, ou bien sortir en DVD signé d’un réalisateur reconnu.

On peut aussi le retrouver dans le programme d’un competition de cinéma, dans un spectacle vivant mêlant sons et lumières, ou encore dans les salles d’un musée d’art contemporain. Au cœur d’enjeux financiers colossaux, le clip preserve pourtant cette charisma de gratuité, aux deux sens du terme, qui a contribué à son succès et qui fait sa légèreté. Ainsi s’inspire-t-il de quantité de formes d’art et les influence-t-il en retour.

Quel autre objet réalise cet take advantage of d’occuper tout à travel tant de fonctions, d’usages et de statuts sociaux ? Des Beatles à Gangnam Style, de Thriller à girl Gaga en passant par Michel Gondry et le best 50, l’ouvrage suggest les clés historiques, esthétiques et thématiques du phénomène clip.

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Le clip : Histoire et esthétique

Aujourd’hui un clip peut être partagé sur fb ou sur YouTube, passer sur MTV au fond d’un bar, ou bien sortir en DVD signé d’un réalisateur reconnu.

On peut aussi le retrouver dans le programme d’un pageant de cinéma, dans un spectacle vivant mêlant sons et lumières, ou encore dans les salles d’un musée d’art contemporain. Au cœur d’enjeux financiers colossaux, le clip preserve pourtant cette charisma de gratuité, aux deux sens du terme, qui a contribué à son succès et qui fait sa légèreté. Ainsi s’inspire-t-il de quantité de formes d’art et les influence-t-il en retour.

Quel autre objet réalise cet take advantage of d’occuper tout à travel tant de fonctions, d’usages et de statuts sociaux ? Des Beatles à Gangnam kind, de mystery à woman Gaga en passant par Michel Gondry et le best 50, l’ouvrage suggest les clés historiques, esthétiques et thématiques du phénomène clip.

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27 28 Irreverent Photo Tools for Digital Photographers Another trick with duct tape is to use it as if you were wrapping a bandage around something, by holding the roll in your hand and pulling the roll along, or winding it around something while the tape pulls off the roll and adheres onto your intended surface. In the studio duct tape can be a poor man’s gaffer’s tape. As long as you play by the rules you can use duct tape for most typical taping needs: holding a reflector to a light stand; taping cloths for neatness in a portrait shoot (as discussed with packing tape); taping background paper closed, to the floor, or to a wall; making markers for light stands, camera stands and tripods; holding cords in place or onto the floor to prevent people from tripping; and so forth.

When you’re building Chapter 1 ■ Irreverent Studio Tools 19 sets in the studio, hot glue can hold boards or sheets of material in place until you get a hammer or screwdriver in hand. Some glue guns heat to a higher temp than others. Use a lower temperature model when gluing cloth or other materials sensitive to temperature. 25 Hot glue bonded two two-by-fours together to make the fourby-four that was used to raise up the tabletop in this photo set. Copyright © Steve Weinrebe True Story Some years ago when these handy, and relatively safe, gadgets were becoming popular, I visited a friend’s studio near mine at the time in Philadelphia.

My friend held up the hot glue gun and shrugged his shoulder—many photographers can be modest. I was amazed at how handy a hot glue gun can be. I ran out and purchased one and have used it in my studio frequently. 20 Irreverent Photo Tools for Digital Photographers White Paper Tape Tape is an absolutely essential irreverent photo tool and comes in a variety of useful materials with varying amounts of stickiness and dispensing ability. I’m not referring to traditional gaffer’s tape, which, while an essential tool in any photo studio, is hardly irreverent.

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