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2017 Photographer’s Market: How and Where to Sell Your by Noel Rivera

By Noel Rivera

Сборник статей о приемах продвижения и маркетинга своих художественных произведений от поиска клиентов, первых продаж и формирования портфолио до фриланса и контрактов с галереями, журналами, медиа и коммерческими структурами. up to date info on the right way to begin and run a images enterprise, together with how to define consumers, who to touch to post your images, what kinds of pictures they wish, and the way to post either electronic and picture photographs. Markets for high quality artwork photographers, together with thousands of galleries and paintings festivals Informative articles on company subject matters, comparable to filing to galleries, making a marketing strategy, networking with different photographers, bettering your portfolio, and extra. Inspiring and informative interviews with winning pros, together with marriage ceremony, journal, and advertisement photographers.

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Additional info for 2017 Photographer’s Market: How and Where to Sell Your Photography

Example text

But some slang terms come and go just like skirt lengths and what sounds hip or trendy today may sound trite or foolish tomorrow. For example, in 1988, the fi rst supermodels were making the scene, and fashion terms like “photo shoot” were very much in the pop lexicon. So, when I called my new studio “KidShooters” in 1988, the name held I operated as a sole proprietor under the name KidShooters Portraits no negative connotathen KidCapers Portraits for seventeen years. Ultimately I switched to tions.

In turn, I’ve helped some medium-format junkies break their addictions to fi ne grain and tripods; I’ve taught a commercial shooter how to get two-year-olds to stand in one spot for a 250th of a second; and I’ve shared my somewhat paltry knowledge of digital capture with a fellow fi lm lover whose digital knowledge was even more paltry than mine.

Indd 57 6/29/16 1:52 PM NETWORKING WITH OTHER PHOTOGRAPHERS the systems for me and helped me choose which one to buy. A fashion shooter taught me how to use strobes, an architectural shooter taught me about hot lights, and a photojournalist taught me that it’s okay (and sometimes even desirable) to use mixed light sources. In turn, I’ve helped some medium-format junkies break their addictions to fi ne grain and tripods; I’ve taught a commercial shooter how to get two-year-olds to stand in one spot for a 250th of a second; and I’ve shared my somewhat paltry knowledge of digital capture with a fellow fi lm lover whose digital knowledge was even more paltry than mine.

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